Bullet Time Dodge scene
Frozen time, dodging bullets. Use this composition as a reference for a storyboard beat, then plan the motion around it.
Storyboard opens a new project, not a preselected iconic scene.

Recreating Bullet Time Dodge
Visual composition
In 1999 bullet-time cinematography style: time frozen mid-action as bullets hang suspended in air, visible digital ripples trailing their trajectories. The figure in flowing black trenchcoat arches backward in impossible slow-motion against sterile corporate interior columns. Desaturated color palette with sickly phosphorescent green tint filtering through rain-streaked windows, deep shadows. Multiple freeze-frame camera orbiting around the frozen instant at 12,000fps simulated speed, digital artifacts hinting at simulated reality. Cool grey-green color grade with crushed blacks, anamorphic lens distortion and pioneering wire-fu rig-removal VFX work.
Color palette
Colors specified in the preset recipe, not a guarantee for every generated frame.
- #39ff14
- #1c1c1c
- #2f4f4f
Adapt the scene recipe
Select and copy this recipe as a shot-planning reference. Adapt its staging and lighting in your scene prompt, or create a custom style in Storyboard's My styles tab using Advanced mode. The custom-style editor has a 1,000-character limit. Camera and lens references describe the intended aesthetic, not how this still was photographed or a promise of video output.
In 1999 bullet-time cinematography style: time frozen mid-action as bullets hang suspended in air, visible digital ripples trailing their trajectories. The figure in flowing black trenchcoat arches backward in impossible slow-motion against sterile corporate interior columns. Desaturated color palette with sickly phosphorescent green (#39FF14) tint filtering through rain-streaked windows, deep shadows (#1C1C1C). Multiple freeze-frame camera orbiting around the frozen instant at 12,000fps simulated speed, digital artifacts hinting at simulated reality. Cool grey-green color grade (#2F4F4F) with crushed blacks, anamorphic lens distortion and pioneering wire-fu rig-removal VFX work.
These presets are visual references, not footage from any production. Consider rights to recognizable characters, artworks and likenesses before publishing.
Plan a storyboard around Bullet Time Dodge
Step 1: Break down the frame
Read the Bullet Time Dodge recipe and compare its subject placement, light and setting with the still preview. Decide which cues your own scene should preserve.
Step 2: Place it in your story
Create a Storyboard with your script and references. Adapt the recipe in a custom style or scene prompt; this catalog link does not preselect the iconic scene.
Step 3: Plan the adjacent shots
Review the frame alongside the shots before and after it. Specify movement, timing and sound separately rather than treating the still preview as a finished video.
Plan Your Bullet Time Dodge Storyboard
Plan the shots around Bullet Time Dodge in a new Storyboard, or explore the scene in Studio for a single-image task. The two workflows are separate.